9/11 films

CIA memo leads entire culture to mock ‘conspiracy theories’ in defense of any official story

A lone protester in Dallas for the 50th anniversary of the JFK assassination in 2013. (LA Times photo)

Attempt to deflect criticism of the Warren Commission Report has become the ultimate weapon against dissent

“Now it’s conspiracy – they’ve made that something that should not even be entertained for a minute, that powerful people might get together and have a plan. Doesn’t happen, you’re a kook, you’re a conspiracy buff!” – George Carlin

By Craig McKee

It has been called the “conspiracy theory” conspiracy.

But it’s not just a theory, it’s a fact. And like more than a few conspiracies it involves the Central Intelligence Agency – specifically a campaign in the 1960s to discredit those challenging the findings of the Warren Commission in the assassination of John F. Kennedy. The agency achieved this by linking challenges to the official story with “conspiracy theories.”

It is known as CIA dispatch #1035-960. It was distributed in 1967 but not released to the public until 1976 following a Freedom of Information Act request by the New York Times. On the dispatch were marked “PSYCH” (for psychological warfare) and (more…)

V for Vendetta: truly revolutionary or just designed to look that way?

V-for-Vendetta

On Nov. 5, 2012, Guy Fawkes Day, Truth and Shadows published an article by Barrie Zwicker about Fawkes and the Gunpowder Treason and its relation to false flag events throughout history. That article mentioned the film V for Vendetta and the proliferation of the famous Guy Fawkes mask that followed the success of the movie. Zwicker’s piece quoted an earlier one by Veterans Today’s Kevin Barrett, which sang the praises of the film. I appreciate both of these excellent articles, but I have a somewhat different take on the film as this article explains.– CM

November 5, 2015

By Craig McKee

It is crafted to be one of the most satisfying moments in all of film history.

In the climax of the Wachowski sibling’s V for Vendetta (spoiler alert), an underground train filled with explosives is detonated as the train passes beneath the British Parliament buildings. The buildings are blown to bits to the tune of Tchaikovsky’s 1812 Overture while thousands in Guy Fawkes masks look on in awe. Fireworks add to the celebration and to the theatricality of the event.

The crowd removes their masks to reveal they are just ordinary people (even those who were killed during the story reappear). The population is apparently freed from the iron-fisted rule of a Nazi-like regime. Comic book villains get their just desserts, and a new world is born.

The film, based on a graphic novel of the same name, has been branded as revolutionary by some. And to be sure, it does some very remarkable things rarely seen in Hollywood films. Most notably it lays (more…)

Jenkins misleads by linking Pentagon plane impact theory to AE911Truth

Jenkins cut Pentagon section out of September 11: The New Pearl Harbor without permission.

October 19, 2015

By Craig McKee

In my last post, I deconstructed David Chandler’s very disturbing Pentagon presentation at last month’s 9/11 Truth Film Festival in Oakland, CA. But as troubling as his reinforcement of most of the official story was, it wasn’t the only talk at the festival given by a member of his “Team” of researchers.

Festival organizer Ken Jenkins—who along with Chandler wants the rest of the Truth Movement to believe a large plane actually hit the Pentagon as the official story claims—tried in his brief (more…)

What the epidemic of TV and movies about zombies and doomsday viruses is really trying to tell us

28_weeks_later_movie-t2August 2, 2015

By Craig McKee

Be afraid. Be very afraid. Of what may come. Of each other.

If movies and television in the last few years are any indication, we have so much more to fear in this world than losing a job or a relationship or our health. Our “entertainment” is telling us that a terrifying future could arrive at any time in the form of a doomsday virus that threatens to wipe out civilization and all of us with it.

Over the past decade, the sheer number of movies and television shows that have focused on killer contagions that threaten humanity with death or some kind or horrible transformation is reaching—forgive me for this—epidemic proportions. And there are more being made all the time. There are so many that it has become impossible to see these shows and movies as being made simply because the topic is “popular.” Something else is going on. It’s downright weird.

These entertainment vehicles seem to be telling us that the things that hold our civilization (more…)

New docs probe elaborate cons behind the war on terror ‘mirage’

(T) ERROR shows how FBI creates 'terror plots' then 'twarts' them.

(T) ERROR shows how FBI creates ‘terror plots’ then ‘thwarts’ them.

War of Lies, 89 minutes, directed by Matthias Bittner; North American premiere at Toronto’s Hot Docs film festival April 29th, 2015

(T)ERROR, 84 minutes, directed by Lyric Cabral and David Felix Sutcliffe; 84 minutes; international premiere at Toronto’s Hot Docs film festival May 3rd 2015

By Barrie Zwicker (Special to Truth and Shadows)

Before the screening of War of Lies, the film’s German director, Matthias Bittner, was called to the stage and introduced. He said very little, mainly cryptically that “in Germany this film will never be broadcast in a festival – even a student festival – or in a cinema.”

Someone in the audience asked: “Why?”

Bittner didn’t answer. Instead, he shrugged his shoulders and quickly left the stage, pointedly looking at the audience, as if to say: “You decide – after you see the film.”

What the audience saw is that War of Lies exposes, from the inside, that the war on Iraq was (more…)

Smithsonian supports 9/11 official story but calls NIST ‘fatally flawed’

The aluminum/water explosion theory  ignores forensic evidence.

The aluminum/water explosion theory ignores forensic evidence.

By Craig McKee

The theory is untenable. It defies science and common sense.

No wonder mainstream television (the Smithsonian Channel, owned by CBS) has happily offered it as an explanation for how the Twin Towers could come down without the use of explosives on 9/11. But this theory comes with a twist – it rejects both the official story and the notion that 9/11 was an inside job.

The theory, posited by chemist Frank Greening and metallurgist Christian Simensen in the “Twin Towers” episode of Conspiracy: The Missing Evidence, is that fires from ignited jet fuel melted the aluminum airplanes and that the resulting molten aluminum came into contact with water from the (more…)

Here are 10 things about 9/11 that deserve more attention – and 5 that deserve less

People need to know just how absurd the official story of the Shanksville "crash" is.

People need to know just how absurd the official story of the Shanksville “crash” is.

By Craig McKee

Let’s face it: the 9/11 Truth Movement is all over the place. But that’s not surprising – nor necessarily bad.

When you have an official story that is so clearly false in so many ways, there are going to be a multitude of valid angles from which to examine and expose the deception. There are also going to be many directions the movement can take to advance the cause and to awaken the uninitiated.

But all these ways are not created equal. When you have many thoughtful and intelligent truthers, some not-so-intelligent and not-so-thoughtful truthers, and an undetermined number of outright disinformation agents, you’re bound to get a “diversity of opinion” that would make Cass Sunstein very happy indeed.

So how do we decide what is important and was is not? How do we know where our efforts are best directed? It’s clear that we must keep our focus on things that will (more…)

Doctored Pentagon video proves 9/11 cover-up and inside job

 

pentagon-video-frames

From the frames released in 2002: notice the wrong date and the helpful descriptions so you know what you’re seeing.

June 13, 2014

By Craig McKee

A single frame gives it away.

All but one frame of two sets of surveillance videos purporting to show the impact of Flight 77 into the western face of the Pentagon on Sept. 11, 2001 appear to show the same thing. But it’s that one frame that tells the tale. It shows that evidence was falsified and that a deliberate plan was carried out to fool the public into thinking that a plane hit the building when it did not.

This, combined with other key evidence (including the nature of the damage to the building, the lack of debris outside the building, and the on-camera accounts of credible witnesses who put the plane on a different flight path that the one (more…)

Educators, Holocaust group join Sept. 11 museum in ‘teaching’ children official 9/11 lies

911 museum twin girders

These symbolic twin girders with tridents on top come from one of the World Trade Center towers.

 

By Craig McKee

The 9/11 official story is rooted in deception, distortion, and misdirection. Now all of its lies have been dressed up and put on display in an expensive federally funded monument for paying customers.

The National September 11 Memorial and Museum, slated to open May 21 (the outdoor memorial has been open since 2011), is more of a walk-in indoctrination center than a tribute to the victims of 9/11. It’s a piece of propaganda made of glass and steel that plays on emotions and on the sincere desire of people to honor those who sacrificed their lives in this false flag event.

The Memorial and Museum’s web site not only reiterates all the same lies, but it even explains a framework that educators will be using to indoctrinate children so they can grow up to be believers in the war on terror and the (more…)

9/11 film reaches beyond the choir: 50 questions that blow ‘debunkers’ away

September 11 - The New Pearl Harbor

By Craig McKee

The questions have been debated since the very beginnings of the 9/11 Truth movement.

How do we get people who believe the official story of 9/11 to consider the possibility that what they’ve been told is false? How do we go beyond preaching to the choir? And at what point is it necessary, or desirable, to simplify and/or soften some of the truth to avoid scaring people off?

The question is being asked again (well, at least by me) following the recent release of Massimo Mazzucco’s impressive five-hour, three-part documentary September 11: The New Pearl Harbor. The film brings together evidence from dozens of sources (particularly documentaries and TV programs) on 9/11. It ties this evidence together very nicely and makes it clear and easily understandable, particularly for those who are (more…)